Grand Canyon at twilight.

© RicardMN Photography

© RicardMN Photography

Grand Canyon at twilight.

Grand Canyon is a steep-sided canyon carved by the Colorado River in the United States in the state of Arizona.
The Grand Canyon is 277 miles (446 km) long, up to 18 miles (29 km) wide and attains a depth of over a mile (6,000 feet / 1,800 metres) Nearly two billion years of the Earth’s geological history have been exposed as the Colorado River and its tributaries cut their channels through layer after layer of rock while the Colorado Plateau was uplifted. While the specific geologic processes and timing that formed the Grand Canyon are the subject of debate by geologists, recent evidence suggests the Colorado River established its course through the canyon at least 17 million years ago. Since that time, the Colorado River continued to erode and form the canyon to its present-day configuration.

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Banff National Park

© RicardMN Photography

© RicardMN Photography

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© RicardMN Photography

© RicardMN Photography

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Banff National Park is Canada’s oldest national park, established in 1885 in the Rocky Mountains.

The park, located 110–180 kilometres (68–112 mi) west of Calgary in the province of Alberta, encompasses 6,641 square kilometres (2,564 sq mi) of mountainous terrain, with numerous glaciers and ice fields, dense coniferous forest, and alpine landscapes. The Icefields Parkway extends from Lake Louise, connecting to Jasper National Park in the north. Provincial forests and Yoho National Park are neighbours to the west, while Kootenay National Park is located to the south and Kananaskis Country to the southeast.

Over the past few million years, glaciers have at times covered most of the park, but today are found only on the mountain slopes though they include the Columbia Icefield, the largest uninterrupted glacial mass in the Rockies. Erosion from water and ice have carved the mountains into their current shapes.

Johnston Creek is a tributary of the Bow River in Canada’s Rocky Mountains. The creek is located in Banff National Park.

Johnston Creek originates north of Castle Mountain in a glacial valley southwest of Badger Pass and south of Pulsatilla Pass, at an elevation of 2,500 meters (8,200 ft). The creek flows southeast between Helena Ridge and the Sawback Range, and then south through a gorge known as Johnston Canyon. The stream empties into the Bow River, south of Castle Mountain, between Banff and Lake Louise, at an elevation of 1,440 meters (4,720 ft).

As Johnston Creek approaches the Bow River, it flows through a large canyon formed by erosion over thousands of years. The creek has cut through the limestone rock to form sheer canyon walls, as well as waterfalls, tunnels, and pools.

A popular hiking trail follows the canyon and leads to a meadow within the Johnston Valley above the canyon. The first part of the trail consists of a constructed walkway with safety rails and bridges, while the last part of the trail is natural and more rugged. Within the meadow are the Ink Pots, which are six blue-green spring-fed pools.

Ice climbing is a popular activity on the frozen waterfalls in winter. (Description from Wikipedia).

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Operation Motorman mural in Derry

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© RicardMN Photography

Mural painted by ‘the Bogside Artists’. The mural was completed in July 2001 and is situated on Rossville Street in the Bogside area of Derry, Northern Ireland, United Kingdom. The mural depicts some of the events that occured during ‘Operation Motorman’ on 31 July 1972.

The Bogside Artists are a trio of mural painters from Derry, Northern Ireland, consisting of Tom Kelly, his brother William Kelly, and Kevin Hasson (b. 8 January 1958). Their most famous work, a series of outdoor murals called the People’s Gallery, is located in the Bogside neighbourhood of Derry and depicts the events surrounding sectarian violence and civil rights protests in Northern Ireland during the Troubles.

Operation Motorman was a large operation carried out by the British Army (HQ Northern Ireland) in Northern Ireland during the Troubles. The operation took place in the early hours of 31 July 1972 with the aim of retaking the “no-go areas” (areas controlled by residents, usually Irish republican paramilitaries) that had been established in Belfast, Derry and other large towns. During the operation, the British Army shot four people in Derry, killing a civilian and an unarmed IRA member.

The Bogside is a neighbourhood outside the city walls of Derry, County Londonderry, Northern Ireland. The large gable-wall murals by the Bogside Artists, Free Derry Corner and the Gasyard Féile (an annual music and arts festival held in a former gasyard) are popular tourist attractions. The Bogside is a majority Catholic/Irish republican area, and shares a border with the Protestant/Ulster loyalist enclave of the Fountain.

The area has been a focus point for many of the events of the Troubles; in 1969, a fierce three-day battle against the RUC and local Protestants, known as the Battle of the Bogside, became a starting point of the Troubles.

Between 1969 and 1972, the area along with the Creggan and other Catholic areas became a no-go area for the British Army and police. Both the Official and Provisional IRA openly patrolled the area and local residents often paid subscriptions to both.

On the 30 January 1972, the Northern Ireland Civil Rights Association organised a march against internment that was put into effect the year before turned into a blood bath known as Bloody Sunday. The British Parachute Regiment shot dead 14 unarmed protesters and injured 14 more; this resulted in a large surge of recruitment for both wings of the IRA in the city.

After Operation Motorman and the end of Free Derry and other no-go areas in Northern Ireland, the Bogside along with the majority of the city experienced frequent street riots and sectarian conflict lasting all the way to the early 1990s.

In 1974, the Official IRA declared an end to their armed campaign, and with volunteers on the ground already mad about the ceasefire in mid 1972, that crossed the line to hardliners. In result, Seamus Costello and other socialist militants formed the Irish Republican Socialist Movement. This new movement included the Irish National Liberation Army the paramilitary wing of the IRSM.

Derry and particularly the Bogside became one of many strongholds for the INLA; in fact all three volunteers who died in the 1981 Irish hunger strike were from Derry or County Londonderry. The Irish People’s Liberation Organisation, a breakaway group of the INLA, made a small but effective presence in Derry engaged in a feud with the INLA in the city along with other areas in Ireland from 1987 to 1992. The feud ended with the Provisionals stepping in and killing the main Belfast leadership while letting the rest of the organisation dissolve in the rest of Ireland. Throughout the rest of the 1990s, the Bogside became relatively peaceful compared to other localities of Northern Ireland at that time such as Belfast, even though street riots were still frequent. (Description from Wikipedia)

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Our Lady Chapel detail in the Ons’ Lieve Heer op Solder Amsterdan BW

© RicardMN Photography

© RicardMN Photography

Our Lady chapel detail in the Ons’ Lieve Heer op Solder (Our Lord in the Attic), a 17th-century canal house in the city center of Amsterdam, The Netherlands.

The canal house on the 14th century canal Oudezijds Voorburgwal, currently on number 40, was built in 1630. Between 1661 and 1663 the top three floors of the house were changed into a house church. The building was renovated in the 18th and 19th century.

The Catholic Church was built on the top three floors of the canal house during the 1660s. It is an important example of a “schuilkerk”, or “clandestine church” in which Catholics and other religious dissenters from the seventeenth century Dutch Reformed Church, unable to worship in public, held services.

Since there is no room for an altar to Mary in the Attic Church, the area behind the main altar has been set up as a chapel to Our Lady. Immediately alongside the altar, there is a multi-coloured limewood statue of Maria (circa 1690) thought to originate from the Attic Church. She carries Jesus under her arm and is standing on the crescent moon. She has a snake caught under her feet, a symbol of all evil.

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Saskia Rembrandt’s tomb

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© RicardMN Photography

Description

Saskia Rembrandt’s tomb in Oude Kerk (Old church), Amsterdam, Netherlands.

Saskia van Uylenburgh (August 2, 1612 – June 14, 1642) was the wife of painter Rembrandt van Rijn. In the course of her life she was his model for some of his paintings, drawings and etchings. She was the daughter of a Frisian mayor.

Saskia was born in Leeuwarden, Friesland, the youngest of the eight children of Sjoukje Ozinga and Rombertus van Uylenburgh, a top lawyer, a town burgomaster, and one of the founders of the University of Franeker.

In 1631 and in the company of the Mennonite painters Govert Flinck and Jacob Backer, traveled to Amsterdam. There she met Rembrandt, who produced paintings and portraits for Uylenburgh’s Amsterdam clients. In turn Rembrandt travelled to Leeuwarden, where he was received by the painter Wybrand de Geest, who had married Saskia’s niece.

Saskia and Rembrandt were engaged in 1633, and on 10 June 1634 Rembrandt asked permission to marry in Sint Annaparochie. He showed his mother’s written consent to the schepen. On 2 July the couple married. The preacher was Saskia’s cousin, but evidently none of Rembrandt’s family attended the marriage. That Saskia fell in love with an artist who was socially no match for the daughter of a patrician and that she pressed for a speedy betrothal against all conventions certainly shows that she was a very strong and independent character. In 1635 the couple moved to one of the most desirable addresses in Amsterdam, the Nieuwe Doelenstraat, with prominent neighbors and a view of the river Amstel.

Three of their children died shortly after birth and were buried in the nearby Zuiderkerk. The sole survivor was Titus, who was named after his mother’s sister Titia (Tietje) van Uylenburgh. Saskia died the year after he was born, in Amsterdam, aged 29, probably from tuberculosis. She was buried in the Oude Kerk.[7] For ten years Rembrandt focused on drawings and etchings.

In 1662 Rembrandt, having been in financial trouble for several years, sold Saskia’s grave. Hendrickje died the following year.

The vase of flowers is part of the work ‘Celebration (you only live once)(you only die once)’ that Job Koelewijn (NL, 1962) has created especially for the exhibition “Once in a lifetime” (12 May – 28 August 2016). The work consists of an installation of vases with colourful, fragrant flowers. The vases are placed carefully on the church’s tombstone floor, in memory of the dead who were buried here many centuries ago.

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A Scene In Oude Kerk Amsterdam

© RicardMN Photography

© RicardMN Photography

Two works of the exhibition “Once in a lifetime” (12 May – 28 August 2016) in Oude Kerk (Old church), Amsterdam, Netherlands.

1.- In the work ‘Heritage’ by Folkert de Jong (NL, 1972), and older man and child are sitting on a stack of pallets. Downcast and timid they stare straight ahead. In the monumental church they seem particularly vulnerable and lonely. Where do they come from? What are they waiting for? What is making them so dejected? By calling the work Heritage, Folkert de Jong is alluding to the fact that we are not only responsible for our behaviour in the present, but are responsible for the behaviour of our predecessors in the past as well. Typical of Folkert de Jong’s work is his use of coloured styrofoam and polyurethane foam. These materials are not intended to last for eternity and are not environmentally friendly whatsoever. It is this disturbing property that intrigues the artist. In his sculptures he often refers to dark events in the past, which he then relates to contemporary events with an ironic twist, connecting the history of art with the present day.

2.- The work ‘Celebration (you only live once)(you only die once)’ that Job Koelewijn (NL, 1962) has created especially for the exhibition consists of an installation of vases with colourful, fragrant flowers. The vases are placed carefully on the church’s tombstone floor, in memory of the dead who were buried here many centuries ago. Flowers are used at many moments in life as an expression of joy, but they are also used at moments that are coupled with sorrow, as an expression of love and solace for the bereaved. In the church the flower arrangements leave a solemn, serene and at the same time slightly absurd impression. Who are we commemorating here and for whom do the flowers provide solace? Job Koelewijn’s work is often conceptual in character, but is at the same time strongly sensual and always alludes to reality. The subjects of ‘time’ and ‘timelessness’ play an important part in his work, which ranges from photos and films to small objects and space-filling installations. Koelewijn often uses materials that appeal to our sense of touch and smell, that possess a great fragility and ‘purity’.

The 800-year-old Oude Kerk (“old church”) is Amsterdam’s oldest building and oldest parish church, founded ca. 1213 and consecrated in 1306 by the bishop of Utrecht with Saint Nicolas as its patron saint. After the Reformation in 1578 it became a Calvinist church, which it remains today. It stands in De Wallen, now Amsterdam’s main red-light district. The square surrounding the church is the Oudekerksplein.

Today, the Oude Kerk is a centre for both religious and cultural activities and can be rented for presentations, receptions and dinner parties. Among the events hosted is the prestigious annual World Press Photo awards ceremony. The venue hosts many concerts with performers including the BBC Singers and the Academy of St. Martin in the Fields.

The plaque at the pillar is dedicated to Jan Pieterszoon Sweelinck (1562-1621), a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition.
(Description from oudekerk.nl and Wikipedia)

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The Vismarkt in Utrecht

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© RicardMN Photography

The Vismarkt (Fishmarket) in Utrecht, Netherlands.

Vismarkt is the old fish market whose origins go back to the 12th century and which still took place up to the 2nd half of the 20th century. To keep the fish fresh, it was placed in large baskets which were immersed in the canal. The canal is now lined with numerous antique shops.

Utrecht is the capital and most populous city in the Dutch province of Utrecht. It is located in the eastern corner of the Randstad conurbation and is the fourth largest city in the Netherlands with a population of 330,772 in 2014.

Utrecht’s ancient city centre features many buildings and structures several dating as far back as the High Middle Ages. It has been the religious centre of the Netherlands since the 8th century. It lost the status of prince-bishopric but remains the main religious center in the country. Utrecht was the most important city in the Netherlands until the Dutch Golden Age, when it was surpassed by Amsterdam as the country’s cultural centre and most populous city.

The Dom tower and the remaining section of the Dom church have not been connected since the collapse of the nave in 1674.

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